The Magic of Brusho

I’ve said it before but here is more evidence, Brusho watercolour paint powders make magic! I embossed the ‘contemporary‘ background stamp from Penny Black in a copper colour (I think it was ‘Penny‘ from Brutus Monroe) on hot pressed watercolour paper.

You can see the pattern in the background stamp is made up of curved and straight edged shapes. The embossing creates enclosed spaces on the panel and the the brusho powders get trapped in the spaces.

There are a couple of ways to trap brusho in an embossed design, you can spritz the embossed panel with water then sprinkle some brusho over the top, or you can sprinkle the brusho first then spritz. I often end up doing a bit of both. For this panel I think I spritzed some water first then sprinkled both blue and green brusho over the wet areas. My aim was to keep some sections blue, some green and others a mix of the two colours. I also wanted some areas to look speckled and other sections to look softly blended. Less water keeps things speckled; more water gives the paint more time to dissolve and blend.

I had some bronze shimmery cardstock which matched the embossing powder so I cut the ‘thank’ and ‘you’ on the cricut. I stacked two layers so the words would stand out from the busy background.