Turnabout leaves againPosted: October 3, 2018
In creating this card I didn’t quite follow the directions properly for a turnabout stamp. I didn’t attach my piece of watercolour paper to a 6’x6″ square of cardstock but my piece was close to 6″ so it wasn’t a waste of paper. (It is worthwhile to watch one of the Concord & 9th videos explaining how the turnabout stamps work. You know, if all else fails read the instructions, ha!) I also chose not to ink all the leaves on the turnabout stamp so as to feature the line images more than the solid ones. I inked the line images in versamark, stamped, rotated the watercolour panel and repeated. Once I had oriented the panel in all four directions I embossed all the line leaves in gold powder. I also inked some of the small leaves in forest moss distress ink. I used distress inks pressed onto my glass mat as paint to fill in all the embossed leaves.
As I hadn’t stamped all the images on the turnabout stamp I had a bit of space between leaves so I loosely painted antique linen distress stain around the leaves. I stamped one of the sentiments included in the set on a square of hot pressed watercolour paper, painted some antique linen around it and dragged the edges across a rusty hinge distress ink pad to frame the panel.
Rusty hinge is my current fave distress ink colour. I have been through a few favourites which remain in my top ten. Chipped sapphire is a long time favourite; it is deep blue after all. Spiced marmalade changed my mind about orange; I used to pick it last. Stormy sky is such a beautiful grey blue and gets along with all the colours. Forest moss tends to be the colour of all my leaves; I have to remind myself that leaves come in light green and bright green too. Seedless preserves is the prettiest deep pink around, dark or diluted it’s a winner. What are your favourite ink colours? Let me know; I might have to add to my collection.
I’m so thankful you dropped in today; take care.
Stamps: thankful leaves turnabout stamps
Inks: forest moss, dried marigold, rusty hinge distress inks, versamark
Stain: antique linen distress stain
Paper: hot pressed watercolour, neenah natural white
Tools: cutterpillar glass mat, misti stamping positioner
Also: gold embossing powder, Ken Oliver gold liquid metal