Moonlit ForestPosted: October 20, 2014
As you can see I am still creating super moons! This time the moon is lighting up a snowy pass through the forest. I have only skied by moonlight once. It was beautiful, cold, but beautiful. This scene reminds me of that moonlit ski because there seems to be a pass between the trees. When I went the moon was nowhere near as big as the one above but it gave us enough light that we could see the trails without headlamps most of the time.
The moon for this panel was masked with frisket film but I have discovered that, for watercolouring, low tack film does not do the trick like extra tack frisket film. I have tried both now and extra tack seals better without damaging the paper. The brand I have tried is Grafix; I am sure there are other brands available but I was able to order both low tack and extra tack from DeSerres. I positioned the large moon mask on watercolour paper that already had some masking fluid flicked over it. I also placed a frisket mask across the bottom of the panel to cover the snowy foreground. I painted Victorian Velvet and Chipped Sapphire distress stains over the whole sky area and spritzed pearl-ex spray (interference gold) over the panel to blend the colours. When I peeled off the moon mask I discovered some of the stain had seeped under the mask (low tack frisket film) so the moon was no longer a circle. I decided to keep going regardless of my wonky moon and stamp the trees to reveal only part of the moon. The tree is from the “Nature’s Friend” set and is a solid silhouette. As you can see the trees are sharper over the moon area, which was dry, and more blended and watery where the paper was damp from the stain and spray. I inked just the top of the tree with a paint brush to stamp the shadowy tops of trees in the distance.
In the foreground I painted a couple of lines of stain then blended with water to make the colour fade out. I wish you could see the shimmery sheen from the pearl-ex spray over the whole sky and tree area. It is really rather pretty and has a gold tint which is why I chose a gold mat and thread to finish the card. The simple sentiment is from the same set as the tree.
Stamps: Nature’s Friend (PB)
Inks: Victorian Velvet, Chipped Sapphire distress stains & Chipped Sapphire distress ink (Ranger)
Cardstock: Navy Cardstock, Gold cardstock, Fabriano 100% cotton hot pressed watercolour paper
Also: Grafix frisket film, Winsor & Newton masking fluid, scanfil metallic gold thread, Interference gold Pearl-ex powder mixed with water to make a spray.