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Glorious Day

When I posted my first card made with this stamp I mentioned a second I had completed when I knew the image better. In this one I managed to keep the snowy areas white from the beginning rather than dilute them after I realised my mistake! I used fewer inks and left the leaves on right side of the stamp unstamped.

I stamped bird, perch and foliage in antique linen first then went over the perch and leaves as with vintage photo and black soot distress markers. I stamped then blended with water before adding ink to the berries with festive berries and barn door distress markers. To colour the bird I switched over to my watercolour pencils, picking up colour from the lead with a small damp watercolour brush.

I finished off the card with a sentiment stamped in versafine vintage sepia then popped up the panel on craft foam.

Supplies

Stamps: snowy perch, peace & love (made by Penny Black)
Inks: antique linenvintage photo  distress inks (Ranger), versafine vintage sepia (Tsukineko), black micron pen (Pigma)
Markers: vintage photo, black soot, festive berries, barn door distress markers
Paper: 100% cotton hot pressed watercolour paper (Fabriano)
Pencils: dark carmine, light orange, black & cold greyIV Faber Castell Albrecht Durer watercolour pencils

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Snowy Perch

This little bird and its snowy perch are all part of one stamp. It took me a bit of playing to work out how I wanted to colour the stamped image. I have another card to share where I took a slightly different approach. I started by stamping the whole stamp with antique linen distress ink. Using a pale ink with a detailed stamp helps me see the whole image so I can add colours one by one using a stamp positioning tool. I coloured with both a mix of inks added to the stamp and watercolour pencils added to the stamped image. I inked the branch and twig sections of the stamp with several brown inks (listed below) and blended the stamping with water.

I used a wet paintbrush to pick up colour from watercolour pencils to apply colour to the bird, berries and leaves. By working wet into wet I was able to paint a lighter colour first then add either a darker colour or more of the same colour to darken a shadowed area. You can see I added a lot more water to the leaves on the right hand side so they appeared less prominent and more suitable as a background for the sentiment.  Once all the colouring was finished I used a fine tip black pen to make sure the eye stood out. I trimmed the panel then popped it up on craft foam.

Thanks for dropping by.

Supplies

Stamps: snowy perch, sweetest moments (made by Penny Black)
Inks: antique linenvintage photo  distress inks (Ranger), versafine vintage sepia, espresso truffle memento marker (Tsukineko), black micron pen (Pigma)
Paper: 100% cotton hot pressed watercolour paper (Fabriano)
Pencils: juniper green, sap green, dark carmine, light orange, black & cold greyIV Faber Castell Albrecht Durer watercolour pencils