No card left behind

Oh Christmas Tree Heather Telford

I recently started using the phrase ‘no card left behind’ at my classes. I know sometimes a card needs to left behind; sometimes a fresh start is best. I’m not talking about those instances; I’m talking about the times when the card is basically working. The colours are pretty, the layout is balanced, the stamping is solid but then something goes wrong. It could be a crooked sentiment or maybe a smudge of ink, perhaps an incomplete imprint from the stamp. In these situations I have adopted the policy of “No Card Left Behind” and I like to make sure it happens in my classes. I like the participants to go home happy with the their cards. I know they might try it again and tweak things or they might decide the design is not for them and never try it again. Either way I like them to go home with the promised cards.

To this end I have a few emergency solutions up my sleeve. I’m sure you have them too. Some of my class participants joke about the butterfly fix: “I can always stamp a butterfly over that” It can work in some situations but not really on a snow scene! I have shared some of my fixes before and have decided to continue in the spirit of “No Card Left Behind” and share some more from time to time. I will try and remember to photograph the problem before I come up with the fix but sometimes I just forge ahead and its too late for ‘before and after photo shoots’.

I have two cards to share today; the second one is the NCLB. I started both with the tree image embossed on watercolour paper with silver powder. I added distress stains to the paper and blended them immediately with water and a paintbrush. For the card above I kept the colour contained in the tree area just letting it bleed out a little by spreading the stain and water with a brush. On the other panel I blended the colour all over the panel so the whole rectangular area was covered in shades of green. I then sprinkled salt on the wet paper and let it dry. The result was a pretty textured background but overall the design was lacking something. I set it aside and finished the above panel with some silver, blue, green and yellow splatter. I added a bit of definition around some of the swirls and the border with watercolour pencils.

No Card Left Behind Heather Telford

Now how about the NCLB card? You can see I ended up punching out stars and arranging them as a tree but it took a bit of fiddling around before I settled on that design. I first punched squares from the watercoloured panel to see if I could come up with a three or four square CAS layout but that wasn’t coming together so I punched as many stars as possible out of the squares and remaining scraps and arranged them in a tree shape. I had a little star punch that framed the star at the top of the tree and cut a little trunk from a scrap. All the shapes are popped up with 3D foam squares from Scrapbook Adhesives on a white panel which is popped up with the thin 3D foam squares. I had a few narrow scraps left so I stamped a simple sentiment and attached it as a tab to the panel. Punches are a good option for saving a card that will no longer work as a whole panel. I often punch squares from a stamped design but circles or fancier shapes like flowers and stars are great to arrange into a new design.

Thanks for wading through this rather long description; have I inspired you to give the occasional mess up a second chance? Do you have strategies for saving your hard work after an annoying slip or smudge?

Supplies:
Stamps:  Oh Christmas Tree , Winter Magic (PB)
Punches: large and small star 
Inks: Versamark, Versafine Majestic Blue (Imagine Craft/Tsukineko), Distress stains Pine Needles, Evergreen Bough (Ranger)
Pencils: Albrecht Durer watercolour pencils Indianthrene Blue 247, Viridian 161, Lemon 107 (Faber Castell)
Cardstock: Fabriano 100% cotton hot pressed watercolour paper, Neenah Natural white 110lb cardstock, Neenah Solar white 110lb cardstock
Also: Silver Embossing Powder, Silver Wink of Stella Pen, Salt, 3D foam squares, thin 3D foam squares (Scrapbook Adhesives)

 

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Double Holly

Double holly Heather Telford

For the next little while at least I will be jumping between Christmas designs, autumn designs and last days of summer designs. I think some of you found the autumn theme of my last card a little much while it is still officially summer. I totally agree; I always hold onto summer as long as I can. I’m happy if I can wear shorts and summer dresses right through September!

Having said that here is another Christmas card. I created a little holly panel by stamping the “Happy Holly” stamp on damp watercolour paper. I inked the stamp with Memento markers then spritzed it and the paper before stamping. The ink bled into the paper straight away and I spread it even further with a water brush. When it was dry I restamped the holly image and painted the leaves and berries with ink from Memento ink pads. To finish I matted the panel in red, added a sentiment and popped it up over some holly die cuts. An adhesive sheet from Scrapbook Adhesives made it much easier to attach the die cut.

Supplies:

Stamps: Happy Holly, Joy Filled (PB)
Creative Dies:  Holly Berries
Inks: Memento Rhubarb Stalk, Cottage Ivy inks & markers ( Imagine Craft/Tsukineko)
Also: 4×6 Adhesive Sheets (Scrapbook Adhesives)
Cardstock: Neenah Classic Crest Avon Brilliant White 110lb smooth Fabriano 100% cotton hot pressed watercolour paper


Gold leaves and sharpies

Leaves with Sharpies Heather Telford

I tried something new on today’s card, colouring with Sharpies. If you visit here often you know I do most of my colouring with inks, watercolours and pencils but there was a 24 pack of Sharpies at Costco recently on sale for $9.99 and it called out to me. I have done very little colouring with markers so this was quite experimental and I thought I was less likely to make a mess with a simple design of leaves. To help me “keep inside the lines” I embossed the leafy stamp, “Wondrous” in gold powder first. I used the three greens below plus a touch of yellow. I began with the lightest green on one side of each leaf then added the middle green, then went back over both with the lighter green. I was pleased to see the darker colours did not stain the tips of the lighter colours. When I was finished I added a thin strip of the darkest green to a few leaves. The gold marker was used to make a border around the whole panel which I popped up on a white card base with dimensional tape. The sharpies don’t seem to have colour names or numbers so I added a photo of the ones I used below.

While the “Wondrous” stamp was out on my table I made another card in a very different style which I will share tomorrow. Thanks for your kind words about our “lights” cards yesterday; I shared your comments with my son.

Sharpies used on Leaves card

Supplies:

Creative Dies: Wondrous, Foliage Fancy (PB)
Inks: Versamark (Imagine Craft/Tsukineko)
Cardstock: Neenah Solar White 110lb, Black cardstock
Also: Gold Sharpie, Green & Yellow Sharpies, Gold cord, Gold embossing powder


Happy Birthday Balloons

Birthday Balloons Heather Telford

I am enjoying the Stretching Your Stamps 2 class and found a little time to try another technique this morning. I was inspired by another class participant who used sentiments inside speech bubbles to make a very cool card. I put mine inside balloons instead.

I cut balloons out of masking paper and kept both the positive and the negative. I was then able to stamp the words and sponge the balloon shape through the negative and mask the balloons after completing them with the positive. I used Radiant Neon inks which are so easy to sponge onto to a card. They blend and cover the area quickly and smoothly. The littlest balloon is stamped in gold but it looks more like a sad brown I’m afraid. I performed more stamp surgery to make this card by cutting the happy birthday stamp from “Edge to Edge” into three sections. I can always stamp them together another time if I want to.

Enjoy your weekend.

Supplies:

Stamps:  Edge to Edge (PB)
Creative Dies: Uplifting (PB)
Inks: Versafine Onyx Black, Radiant Neon Electric Coral, Electric Green, Electric Blue & Encore Gold (Imagine Craft/Tsukineko)
Cardstock: Neenah Solar White 110lb
Also: Black Pitt Artist Pen (Faber Castell)


The Cool One

The cool one Heather Telford

You wouldn’t believe how long this “simple” card took me! It all started because I had a piece of watercoloured paper all sparkly and blue which wasn’t working in the way I needed it to for a project I no longer remember. I couldn’t let that pretty sparkly blue panel go to waste so I stamped something on it in black, again can’t remember what. That didn’t work either but I wasn’t prepared to throw the sparkly blue away so I die cut as many balloons as I could without getting black stamping on them. Most that I cut ended up with a little stamping so I tried 3021 different arrangements where one balloon would overlap another to cover little bits of black ink. Finally I realized I was going round in circles so instead I cut balloons out of plain but co-ordinating colours and decided on the design above. It took me three attempts to get the above card made without inky fingerprints and failed inlaid diecuts. Even this one is a little unbalanced; the balloons should be higher.

I like the sentiment and of course the sparkly blue that started it all.

Supplies:

Stamps:  Amazing (PB)
Creative Dies: Uplifting (PB)
Inks: Versafine Onyx Black (Tsukineko) Chipped Sapphire, Tumbled Glass,  Broken China Distress Stains (Ranger) 
Cardstock:  Fabriano 100% cotton hot pressed watercolour paper, Periwinkle & Clear Skies Mix & Match Papers (PB)
Also: Pearl Ex 

 


One Layer Simplicity: Shades of Summer

One layer Summer Poppy Heather Telford

 

Susan is hosting the new One Layer Simplicity Challenge and she has chosen six gorgeous summer colour palettes to inspire us. I chose the one below which was a challenge as I don’t often combine pinks and yellows.

I just did a big clean up and reorganization of my craft area and in doing so found the card base above with the square already masked and the green sponging started. I sponged more of the square in memento peanut brittle. I then removed the mask and stamped the poppy in versafine onyx black. I decided to use my coloured pencils for the poppy because I had the colours in the photo. I blended one colour pencil over another rather than using a blending fluid or blender pencil.

Also entered in Inkspirational Challenge to use markers or pencils

flora glow

Supplies:

Stamps: Poppy Time, Amazing (Penny Black)
Inks:  Versafine Onyx Black, Memento New Sprout, Peanut Brittle (Tsukineko)
Also: Faber-Castell Artist Polychromos Colour Pencils


Stenciled with text

Blessings in Blue Heather Telford

I have been experimenting with my stencils trying different techniques and one thing I wanted to do was stamp a pattern through the stencil onto the card underneath. I ended up using some modeling paste first to give me a slightly raised image. I taped the stencil to some watercolour paper first then spread modelling paste over it with a palette knife. I removed the stencil to let the paste dry thoroughly then replaced it before stamping. I used the text stamp from “Footnotes” and did not stick it to an acrylic block first, instead I kept it flexible and pressed it onto each leaf and flower space in the stencil.  As I had stamped it with Versafine Majestic Blue I lightly sponged the same ink over the stencil to captures the stems and define the design a little more. The panel was taped to my work surface so I used the edge of the tape as a border adding blue with a watercolour pencil and blending the colour into the panel. I finished it off with just a few little splatters and a small sentiment. The panel is popped up over a grosgrain ribbon.

You can’t see the modeling paste in my photo but the effect on the card is a subtle raised image. I have more experimenting with stencils to share in the days to come.  Thanks for dropping by.

Supplies:

Stamps:  Footnotes, Treemendous (PB) 
Stencil: Verdant (PB)
Inks:  Versafine Majestic Blue (Tsukineko)
Pencils: Albrecht Durer Indianthrene Watercolour pencil 247  (Faber Castell)
Paper: Fabriano 100% cotton hot pressed watercolour paper, Neenah Classic Crest Natural White 110lb smooth
Texture: Modelling paste


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