There are three new dies in the new Sunshine and Smiles. release all set in rectangular frames, which makes them a nice choice for the inlaid die technique. I used the Butterflies die to create the card above. Below is a photo tutorial with instructions below each photo describing my process.
Spritz or paint water onto a piece of cold pressed watercolour paper then add watercolour paint ( I used Kuretake Gansai Tambi on Fabriano cold pressed) in three or four colours. Let it blend, tilt the paper, move it around with a paintbrush if it is not going where you want it to. Let it dry.
Add more paint to deepen the colours which will have dried paler than when you painted them. Add some metallic gold paint and some splatters. Let panel dry, then trim to desired size.
With the ‘Butterflies’ die cut a panel from your watercoloured piece and from a piece of metallic gold cardstock. Press both panels onto some ‘Cling film-Press & Seal’ to keep all the pieces together. I know it looks like I already lost some pieces but don’t worry they were there somewhere!
Attach a piece of double sided adhesive sheet (I used ‘stick it’) to a piece of cardstock larger than your die-cut panel.
Remove the liner paper from the adhesive and press the gold ‘frame’ part of the butterflies die onto the adhesive covered cardstock.
Transfer the ‘inside’ pieces from the die-cut watercoloured panel into the gold frame pressing each one firmly onto the adhesive backing.
Attach the remaining border piece of watercoloured cardstock around the inlaid die-cut panel. Trim excess cardstock from the completed inlaid die cut panel. Mat with gold card then attach to co-ordinating card base.
Creative Dies: Butterflies (PB)
Cardstock: Fabriano 100% cotton hot pressed watercolour paper, Pink and gold cardstock
Also: Kuretake Gansai Tambi watercolour paints, Stick it adhesive sheet
I hope you visited the Penny Black blog last week to enjoy a week of inspiration from our talented designer Jill Foster. This week I hope to inspire you with my projects featuring products from the new collection Sunshine and Smiles. Today’s project comes with a video tutorial. I know, unprecedented for me to have a video for you two weeks in a row! Last week I shared my technique for watercolouring with distress stains. Today I have a more traditional ‘keep within the lines’ approach using watercolour paints. The video is long so perhaps you should get a cup of coffee or tea and settle in. I have used the new slapstick cling set ‘Collage of Wishes’ and the pretty flourish die.
Stamps: Collage of Wishes (PB)
Creative Dies: Flourish (PB)
Inks: Versafine Smokey Gray (Tsukineko)
Cardstock: Fabriano 100% cotton hot pressed watercolour paper, Kazazz cardstock discontinued
Also: Kuretake Gansai Tambi watercolour paints, Faber-Castell Polychromos pencils, Stick it adhesive sheet
I made this for a close friend of mine who unexpectedly ended up in hospital this week. I am pleased to say she should be home by now. I began by painting a background with blue and red watercolour paints which I left to dry completely. During the whole painting and and stamping process I had the panel turned vertically but when it came to make the card I preferred it in landscape orientation. I inked the brambles stamp in mustard seed distress stain, spritzed it then stamped. The flower heads of the ‘delicate florals’ stamp, I inked in barn door distress stain and the stems in memento espresso truffle marker, spritzed and stamped. The flower heads were quite watery so I let them dry and stamped again over the top to add some details. I ended up keeping the frame made by the tape placed around the panel and popping it up on a card base made from watercolour paper. I have mentioned before how the whole matchy-matchy thing is very important to me so sometimes the card base has to be exactly the same not just close which is what it would be if I used a different card stock.
Stamps: Delicate Florals, Gratitude, Bramble (PB)
Inks: Mustard Seed, Barn Door distress stains, Black Soot distress marker(Ranger) Expresso Truffle memento marker, Versafine Majestic Blue & Vintage Sepia (Imagine Craft/Tsukineko)
Cardstock: Fabriano 100% cotton hot pressed watercolour paper
The Tulip Festival officially starts in Ottawa tomorrow, but as you can imagine the tulips have started celebrating ahead of the opening ceremonies. I decided to create a couple of tulip displays myself but on paper not in the garden. I do have two tulips in bloom which would make the ratio of blooming tulips to planted bulbs quite similar to yesterday’s sad daffodil ratio.
I worked on both these panels at the same time on the same piece of watercolour paper. They were only separated by a piece of masking tape which explains why there are little splatters of red on the panel below even though I intended to keep that one clean and white. When I finished these panels I was a bit ho-hum about them; they were ok but not exactly what I had hoped. Adding mats and sentiments made the difference. The one below had a blue watercolour border that I ended up cutting off to add a red border and sentiment instead. The blue border was too soft on an otherwise crisp contrasting card. On the one above the border was created by the tape so I decided not to add another colour cardstock for the sentiment but remove it with a die cut instead leaving a subtle but readable cream coloured sentiment.
Both cards were stamped and painted with distress stains over ‘masking fluid-splattered’ hot pressed watercolour paper. The top one got the extra spritz and splatter treatment at the end to make the tulips explode a little whereas the lower one was left with the colour inside the lines.
Stamps: Blooming Garden(PB)
Creative Dies: Many Thanks, For You (PB)
Inks: Mowed Lawn, Festive Berries, Ripe Persimmon distress stains (Ranger)
Cardstock: Fabriano 100% cotton hot pressed watercolour paper, Neenah Classic Crest Natural White 110lb smooth, Neenah chilli cardstock
Also: Stick it adhesive sheets, dimensional adhesive, Kuretake Gansai Tambi watercolour paints
April showers bring May flowers so they say. There are a few peeping up in my garden but not a lot to show for the April showers yet. The tulip festival starts in Ottawa next week so hopefully we’ll have plenty of flowers by then. I have been running by the canal where some of the tulip displays have been planted and last time I looked the bulbs had pushed up some green leaves but I couldn’t see buds. But enough about tulips I have orchids today stamped with the lovely big ‘gentle whisper’ stamp. I only stamped part of the image so I could fit in a second bloom and a bit of leaf.
The paper is cold pressed watercolour paper for a change. I know I always say it is best to stamp on hotpressed watercolour paper because it is so smooth but with a big brushstroke stamp like this one cold pressed worked just fine. I inked the stamp with distress stains, spritzed it with water then stamped on paper which already had a fine splatter of masking fluid over it. I blended some of the distress stain with water and a paintbrush adding some more colour here and there to create more dimension. I used a gold wink of stella to highlight the centres of the orchids then splattered a fine mist of green, purple and gold before adding the sentiment in black.
You will find May Flowers on the Penny Black blog all week as design team members share their projects.
Stamps: Gentle Whisper, Sprinkles & Smiles (PB)
Inks: Seeded Preserves, Worn Lipstick, Mowed Lawn, Bundled Sage distress stains (Ranger) Versafine Onyx Black (Imagine Craft/Tsukineko)
Cardstock: Canson cold pressed watercolor paper, PB Fuschia Fantasies mix & match paper, Neenah Natural White cardstock
Also: Winsor & Newton masking fluid, gold wink of stella pen
Last week I posted a card featuring negative painted leaves and mentioned a second card made at the same time. Both cards were inspired by gum leaves. This is the card I created using a negative mask cut from frisket film with the ‘happy news’ die. When I cut the bird and branch image out of the frisket film I used a piece that would cover most of my watercolour panel. I obviously didn’t think too much about where I was positioning it because I ended up with the bird balancing oddly on the diagonal branch. I think it would have been more natural if the branch was closer to horizontal but it still seems to work.
The frisket film works well masking watercolour paint but some does seep underneath. Fortunately on this panel the only seepage was around the leaves not the bird. I painted a layer at a time and let the colour dry in between to avoid getting the panel too wet. The paint is gansai tambi watercolour with some details done in watercolour pencils. I completed most of the painting before removing the mask. With the mask off I painted some extra leaves then worked with the green and blue seepage around the leaves to create the impression of more foliage in the background. Once the leaves were totally dry I scratched a spine into each leaf with a sharp knife.
At this point I wanted to create some contrast to make the bird pop a little more but I didn’t want to paint a fiddly background around all the edges. Instead I cut another ‘happy news’ mask from masking paper and positioned it directly over the painted bird (which was totally dry) I then sponged the golden colour using memento peanut brittle ink. Once I had good coverage I pressed a damp paper towel into the sponging to give it more of a watercoloured texture.
This is a technique I will play around with more because I have many dies and they make great outlines for watercolouring. Getting a negative and positive mask from each die cut means double the possibilities.
My dad celebrated his 80th birthday this week and hopefully this card has arrived in Australia and been opened by now. He and my mother check out the cards on my blog regularly and my dad drops hints from time to time that he would like to see some Australian scenes. I definitely had eucalyptus leaves in mind when I painted this scene but I can’t say that the bird resembles any particular Australian bird. (If the card hasn’t arrived yet Dad, you’re getting a sneak peak!)
Creative Dies: Happy News (PB)
Inks: Memento Peanut Brittle ink (Tsukineko)
Cardstock: Fabriano 100% cotton hot pressed watercolour paper, Neenah Natural White 110lb cardstock, teal cardstock
Also: Kuretake Gansai Tambi watercolour paints, grafix extra tack frisket film, Faber-Castell Albrecht Durer watercolour pencils
I am enjoying my new watercolour paints and experimenting with different ways to use them. The panel above is part of a masking experiment. I used the ‘happy news’ die to cut a mask from frisket film. Frisket film is made of plastic so I ran the die back and forth through the machine a few times to make sure it cut well. I saved both the negative and the positive die cut image and worked on two panels at once so one could dry while I painted the other. For the one above I used just the positive leaf and branch portion of the die cut image.
I pressed the frisket film leaves firmly onto hotpressed watercolour paper and painted some greens and blues around the leaves. The shape of the leaves reminds me of gum leaves (eucalyptus leaves) so I stuck with the muted blues and greens I remember from the gum trees in Australia. Some paint did seep under the frisket film in places but I didn’t worry as I knew I was doing several layers anyway. When the first layer was dry I repositioned the mask and repeated the process. I think I repositioned the mask three times; I’m not sure. By the time I had painted several layers the first white masked leaves were almost completely covered in paint but the outlines were still distinct. I added some splatter, a sentiment then matted in a co-ordinating teal cardstock.
The other panel I was working on used the negative frisket film mask and will be on the blog next week. Thanks for dropping by.
Stamps: Snippets (PB)
Creative Dies: Happy News (PB)
Cardstock: Fabriano 100% cotton hot pressed watercolour paper, Neenah Avon Brilliant White 110lb cardstock, teal cardstock
Also: Kuretake Gansai Tambi watercolour paints, grafix extra tack frisket film