It’s a little ironic to be posting the summer tree on the day I woke up to the first snowfall this season! Let’s just consider this scene a happy memory or if you are in the southern hemisphere a glimpse of what may already have arrived. I worked with Brushos again to create this scene; I might return to the bister for the fall one. I began by taping down my watercolour panel and painting the sky in mix of several blues. While that dried I painted the paler green strip then finally the darker green hill. I let it all dry before stamping several trees on the left hand side and the tree from ‘Joy to all’ on the right hand side. I sprinkled green brusho over the empty branches and spritzed to add water. Between spritzing and painting with a brush I filled out the trees with a couple of green tones. The odd little flowers at the front I drew onto the stems which I stamped with the twig stamp. Finally I painted a path and added a white sentiment.
I haven’t done the autumn scene yet but watercolour powders seem to be the perfect medium for blend of colours I see in fall so I’m looking forward to that one. The rest of the Penny Black design team are sharing their ‘stamping the seasons’ projects on the blog this week and next.
Stamps: Joy to All, On the town, Special Wishes (PB)
Inks: Versamark, Memento Rich Cocoa, Cottage Ivy (ImagineCrafts/Tsukineko)
Cardstock: Canson 100% cotton hot pressed watercolour paper, yellow cardstock, Neenah solar white
Also: Brusho watercolour powder , white gel pen, white embossing powder
Stamps that can be used all year round are winners in my opinion and I am always happy to see new tree stamps to use in my stamped landscapes. The ‘Joy to All‘ set contains a tree and some twiggy foliage stamps that I will be using winter, spring, summer and fall. This week and next you can see the Penny Black design team using new products to ‘stamp the seasons‘.
To create today’s wintry scene I splattered some masking fluid over the watercolour panel, let it dry then taped the panel to a firm surface to prevent warping. I used blue bister powder to paint the sky and snow banks then added the background trees in memento nautical blue ink while the sky was still damp. I stamped the tree from Joy to all in black ink then added shadows for all the trees in blue ink. To finish the scene I stamped the twig stamps from the same set in the foreground in black. Once all the ink was dry I removed the masking fluid then chose one of my favourite sentiments from the new release and a narrow black mat to frame the panel.
If you come back tomorrow you will see my spring scene using the same ‘Joy to All’ set.
Stamps: Joy to All, Season’s Gifts, Prancers (PB)
Inks: Memento Nautical Blue & Tuxedo Black, Versafine Onyx Black (ImagineCrafts/Tsukineko)
Cardstock: Canson 100% cotton hot pressed watercolour paper, Neenah epic black
Also: Winsor & Newton masking fluid, Bister powder
When I first featured this tree stamp I said I would be back with more designs but then forgot this one was waiting in the wings. I started this one with masking fluid, quite a bit, splattered over the panel. Once the masking fluid was dry I stamped the trees in brown dye ink then painted masking fluid on some of the branches. When that was dry I positioned a mask two thirds down the panel so I could brayer the sky with blue and pink inks. I removed the horizon mask and used smaller masks below the tree trunks to sponge some snow drifts. I looked for a place to add a sentiment but decided to leave it blank on the front and add something later inside.
I am happy to report here in Ottawa there are no scenes even remotely resembling this. We have made a start on leaf collection but still have half the backyard to finish. The weather has been kind.
Stamps: Joy to All (PB)
Inks: Chipped Sapphire, Worn Lipstick, Vintage Photo distress inks, (Ranger)
Cardstock: Canson 100% cotton hot pressed watercolour paper, Neenah natural white
Also: Winsor & Newton masking fluid
I have another brusho card to share today with a different look. I blended all the colour on this panel rather than leave the speckled patterns of the previous cards. The brusho colours are intense so I didn’t use much to create this sky. I sprinkled some blue, green red and purple over a panel splattered with masking fluid, then blended with water as I would with other watercolour paints. I stamped the trees and sentiment in black then, once the ink was dry I removed the masking fluid to reveal a scattering of stars or perhaps snow.
I completed this forest scene months ago but left it unposted. I showed it to a friend recently and she encouraged me to share it here. It is an example of a ‘no card left behind’ project. I was showing my friend how I did the lake on this card. It took us both a few attempts to get our backgrounds looking the way we wanted and the panel below was one of my cast-offs because of the water bloom under the shoreline trees. I pulled the panel out again at a later date and turned it on its side and made the shoreline trees one tall tree instead. I used both painting and stamping to fill the panel with trees. There was a bit of fiddling around with the tree stamp and the layers but I kept adding until it looked forest like! The little white flecks are of course, masking fluid.
So you see you should not throw things away immediately after you ‘mess them up’; set them aside perhaps and come back another day to take a second look. Flip it upside down or 90° just in case you have a lake you can turn into a forest!
Stamps: Nature’s Friend (PB)
Inks: Crushed Olive, Forest Moss, Dried Marigold, Broken China distress stains & Vintage Photo, Forest Moss distress ink (Ranger)
Cardstock: Brown cardstock, Fabriano 100% cotton hot pressed watercolour paper
Also: Winsor & Newton masking fluid
I have another card made with the beautiful new ‘snowy grove’ stamp. I filmed myself painting the trees on periscope so if you are quick you can catch that before it disappears forever. I intend to save some of my periscope videos and share them for longer on another site but I didn’t click the right button for that this morning. And maybe just as well because it was my first attempt and not my classiest presentation!
Anyway the technique is fresh in my mind so I will describe it here. I inked the stamp randomly with both walnut stain and rusty hinge ink. I stamped it on watercolour paper then used a waterbrush to blend the colour up and down all the trunks. The stamped impression wasn’t perfect but it didn’t matter because I painted over the trunks anyway. Once I had done that I painted the forest floor with the same inks and plenty of water. When it was all dry I sponged the background working in antique linen, wild honey and walnut stain, getting darker the further I moved from my ‘light source’.
Thanks for your lovely comments about yesterday’s card; can you tell I like this stamp!?