Summer birthday

Lakeside happy birthday Heather Telford

My husband and I both have February birthdays which meant hot summer days for the first 35 years of our lives. Now we celebrate in the bleak mid-winter!

For his birthday card this year I have gone with the warm tones of summer for inspiration. I managed better with this card than the anniversary card; I wrote in it and gave it to him before posting it here on the blog. To create this scene I started by flicking masking fluid onto my small watercolour block. Even though this isn’t a wintery scene some little flecks of white add interest and dimension to the scene. After the masking fluid dried I wet the whole panel and painted the trees and reflections in the distance, the sky and the water with brushes. In the foreground I stamped several stamps from the ‘sprigs’ set onto the wet paper and let them bleed into the surrounding area. When the paper dried a bit I stamped a couple more sprigs which stayed more distinct. I die cut a tag and splashed some of the same colour over it before adding a sentiment and ribbon.

Supplies:

Stamps: Sprigs , Sprinkles & Smiles (PB)
Creative Dies: Tagged (PB)
Inks: Dried marigold, forest moss, frayed burlap, crushed olive distress inks (Ranger) Versafine Spanish Moss (Imagine Crafts/Tsukineko)
Cardstock: Fabriano hot pressed watercolour paper, Olive green cardstock & ribbon


Warm wishes for a cold winter’s day

Birch trees Heather Telford

These birch trees are my favourite element of the intricate Winter Song stamp so I decided to isolate them for a scene of their own. I inked them with a weathered wood distress marker and left the rest of the stamp uninked. Weathered wood is a pale grey which is perfect for painting and drawing over the top. As usual I stamped on Fabriano hot pressed watercolour paper. The background colour is distress stains painted on with a waterbrush. I defined the edges and markings on the trees with a black marker, painted some grey shading on the trunks then added the sentiment in black. I am fussy about the cardstocks matching so I mounted this panel on a thin burgandy card then made the card base from cold pressed watercolour paper which is the same colour as the panel but adds some texture.

Thank you for the kind Christmas wishes left on my blog and in my inbox. I appreciated them all. I hope your new year is off to a good start; mine has been pretty busy with a bunch of stamping and creating I can’t share with you just yet!

Supplies:

Stamps: Winter Song, Joy Filled (PB)
Inks: Barn Door, Dusty Concord, Victorian China, Aged Mahogany, Weathered Wood distress stains (Ranger) Tuxedo Black memento marker (Imagine Craft/Tsukineko)
Cardstock: Fabriano 100% cotton hot pressed watercolour paper, Strathmore cold pressed watercolour paper, burgandy cardstock


Falling Snow Video Tutorial

Falling Snow Tutorial Heather Telford

Today’s tutorial is one I created for Splitcoast Stampers. Splitcoast posts a new technique tutorial every Wednesday and in today’s I show how to create the look of falling snow on a watercolour card. I created both a photo and video tutorial for Splitcoast.

The video took me a few attempts so I have four slightly different versions of the card which supports my claim that watercolour techniques never give you the same result twice. The picture above is the first one I created and the one featured in the photo tutorial. It has quite a bit of masking fluid snow in the sky; the one in the video ended up with a lot less. I mention in the video that I have stopped using post-it notes to mask when I do watercolour scenes. I now use frisket film, a reusable, repositionable plastic film which doesn’t disintegrate when it gets wet. It is called Grafix Extra Tack Prepared Frisket Film.

I have another video showing in detail how to apply and remove the masking fluid here.

Supplies:
Stamps:   Prancers, Hello Winter(PB)
Inks:  Memento Nautical Blue, Bahama Blue, Northern Pine inks (Imagine Craft/Tsukineko)
Cardstock: Fabriano 100% cotton hot pressed watercolour paper, Neenah Solar White 110lb cardstock, Olive Green cardstock
Also: Winsor & Newton masking fluid, Kemper Spatter brush

 


Inch by Inch 4: Vintage Skyline

Vintage city Heather Telford

From a snowscape to a vintage cityscape my Inchie experiments continue. I never would have guessed when I first saw this skyline stamp that it would become such a favourite. Working on a 3″square splattered with masking fluid, I stamped ‘Skyline’ several times, never a full impression just the top of the buildings and without reinking so that the foreground images were darker than the background. I added colour with several earth tone watercolour pencils layering and blending colour until I was happy with the values and shadows. I mixed a blue and green to make a dark colour for the sky then added brown over the top to make it more muted. Finally I removed the masking fluid to reveal the cream flecks which I think make it look like an old damaged photo.

Deciding what to turn it into was difficult. I would have liked to create a notebook but time was not on my side so I made a card. I tried a patterned background, a portrait oriented and a landscape oriented rectangular card and two different sentiments before deciding less was once again more. Don’t forget more inchie arts inspiration on the Penny Black and the Inchie Arts blogs.

Supplies:

Stamps:  Skyline (PB)
Inks:  Memento Rich Cocoa (Imagine Crafts/Tsukineko)
Pencils: Albrecht Durer watercolour pencils (Faber Castell)
Cardstock: Neenah Natural White 110lb cardstock, Inchie Arts 3″ cream square, Penny Black mix & match Sticks and Stones paper
Also: Winsor & Newton masking fluid


Inch by Inch 3: Mini Snowscape

Inchie snowscape Heather Telford

A mini snowscape was a must with the Inchie Arts squares so for day 3 I watercoloured a tiny scene using distress inks and memento inks. I used the same techniques I’ve used on previous snowscapes, a punched mask for the moon, a cut mask for the hill side and snowbanks and of course a splatter of masking fluid to create the appearance of falling snow. I have a tutorial showing the process on a larger scale here. When I was creating my masking fluid tutorial recently I splattered quite a few inchies at the same time so I would have a few ready when inspiration struck. The trees on this little scene were stamped in Memento Northern Pine ink which is my first choice for stamping pine trees. I added some Paris Dusk ink to the trees with a marker as they were looking a little flat. The teeny sentiment is a result of stamp surgery performed on a circular stamp from the Hello Winter set. The finished card is 3.5″ square.

If you are wondering where to buy art squares there is a list of retailers on the Inchie Arts blog. Don’t forget to visit both the Penny Black and the Inchie Arts blogs for more inspiration and giveaways.

Supplies:
Stamps:  Prancers, Hello Winter (PB)
Inks:  Memento Northern Pine, Paris Dusk ink (Imagine Crafts/Tsukineko) Chipped Sapphire, Salty Ocean distress ink(Ranger)
Cardstock: Neenah Solar White 110lb cardstock, Navy cardstock, Inchie Arts 2″ white square
Also: Winsor & Newton masking fluid


Reflections

Reflections Heather Telford

What started out as a brayering experiment turned into a simple peaceful scene, perfect for the sympathy card I needed this week. On top of some splattered masking fluid I brayered memento summer sky ink and memento London fog ink with overlap of the two colours in the middle.  I positioned a frisket film mask across the panel and stamped trees in both grey and black ink. Next I positioned the mask over the stamping so I could stamp in the reflecting water. Because the frisket film is transparent I was able to line up the trees when I stamped them as reflections. I also added a bit of sponging at the edge of the water.

When I came to finish the card I tried adding some cord and ribbon but nothing was quite right. I settled on some very thin strips of the same black cardstock I used to mat the panel.

Supplies:
Stamps: Prancers, Eloquence (PB)
Inks:  Memento Summer Sky, London Fog, Tuxedo Black(Imagine Craft/Tsukineko)
Cardstock: Neenah Solar White 110lb cardstock, black cardstock
Also: Winsor & Newton masking fluid, Grafix frisket film


Central Park in snow & masking fluid questions answered

Central Park in snow Heather Telford

Last week I posted a very snowy card and received several questions about using masking fluid. I decided to make a short video showing my set up for flicking masking fluid. Masking fluid isn’t just for flicking, of course, but you could be excused for thinking that when you see how rarely I do anything else with it!

I included the card above because it shows snow created after flicking a generous amount of masking fluid on a piece of watercolour paper. It is actually the piece I flicked in the video. I painted over the masking fluid with a blue and a pink distress stain (listed below) and then while the paper was still damp stamped the Skyline stamp in grey a few times then blue. I once again used the little tree from the Prancers set in the foreground. I cut the large sentiment from Yuletide Greetings into two pieces and stamped the front and the inside of the card.

Central Park in snow inside

Some answers to your questions about masking fluid

What is masking fluid?
A non-staining liquid composed of rubber latex for masking areas of work needing protection when colour is applied over the top

What type do you use?
Winsor & Newton non permanent masking fluid with a slight yellow tint. The yellow tint makes it easier to see where it has been applied. This is probably more useful when carefully painting the masking fluid onto a project rather than flicking it with careless abandon!

Are all brands the same?
I have used the Winsor & Newton brand for years and cannot comment on other brands. I think the key is to make sure you buy non permanent because you want to remove it after all your stamping/sponging/painting is completed.

Where do I find masking fluid?
Masking fluid is an art supply often used by watercolour artsists so you can find it in art supply stores, usually with the watercolour supplies.

How do you remove masking fluid without ripping the paper?
I must admit I haven’t had too many instances of masking fluid ripping my paper. The spots from splattering are small and rub off very easily. Sometimes with larger dots or sections it is harder to remove the masking fluid. If you are painting a larger area do a test on your paper first to make sure you can remove the masking fluid successfully. I always use my fingers to rub it off but you can use a clean soft eraser.

The video I have created shows how I splatter panels for projects such as the one above. Hopefully some of your questions will be answered once you have watched my process.

Supplies:
Stamps: SkylinePrancers, Season’s Wishes (PB)
Inks:  Memento Nautical Blue, London Fog, Northern Pine (Imagine Craft/Tsukineko) Victorian Velvet, Broken China distress stains(Ranger)
Cardstock: Neenah Solar White 110lb cardstock, Fabriano 100% cotton hot-pressed watercolour paper, textured blue cardstock, textured green cardstock, linen textured paper
Also: Winsor & Newton masking fluid, Kemper Spatter brush


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