Moonlit Forest

Moonlit Forest Heather Telford

As you can see I am still creating super moons! This time the moon is lighting up a snowy pass through the forest. I have only skied by moonlight once. It was beautiful, cold, but beautiful. This scene reminds me of that moonlit ski because there seems to be a pass between the trees. When I went the moon was nowhere near as big as the one above but it gave us enough light that we could see the trails without headlamps most of the time.

The moon for this panel was masked with frisket film but I have discovered that, for watercolouring, low tack film does not do the trick like extra tack frisket film. I have tried both now and extra tack seals better without damaging the paper. The brand I have tried is Grafix; I am sure there are other brands available but I was able to order both low tack and extra tack from DeSerres. I positioned the large moon mask on watercolour paper that already had some masking fluid flicked over it. I also placed a frisket mask across the bottom of the panel to cover the snowy foreground. I painted Victorian Velvet and Chipped Sapphire distress stains over the whole sky area and spritzed pearl-ex spray (interference gold) over the panel to blend the colours. When I peeled off the moon mask I discovered some of the stain had seeped under the mask (low tack frisket film) so the moon was no longer a circle. I decided to keep going regardless of my wonky moon and stamp the trees to reveal only part of the moon. The tree is from the “Nature’s Friend” set and is a solid silhouette. As you can see the trees are sharper over the moon area, which was dry, and more blended and watery where the paper was damp from the stain and spray. I inked just the top of the tree with a paint brush to stamp the shadowy tops of trees in the distance.

In the foreground I painted a couple of lines of stain then blended with water to make the colour fade out. I wish you could see the shimmery sheen from the pearl-ex spray over the whole sky and tree area. It is really rather pretty and has a gold tint which is why I chose a gold mat and thread to finish the card. The simple sentiment is from the same set as the tree.

Supplies:

Stamps:  Nature’s Friend (PB)
Inks: Victorian VelvetChipped Sapphire distress stains & Chipped Sapphire distress ink (Ranger)
Cardstock:  Navy Cardstock, Gold cardstock,  Fabriano 100% cotton hot pressed watercolour paper
Also: Grafix frisket film, Winsor & Newton masking fluid, scanfil metallic gold thread, Interference gold Pearl-ex powder mixed with water to make a spray.

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Harvest Moon

Harvest Moon dark Heather Telford

The lovely foliage stamps in the new Penny Black release are perfect for creating stamped landscapes. There are some new transparent sets as well as a couple of slapstick cling stamps that I will use winter, spring, summer and fall.  Both these cards are very simple in design using only one foliage stamp to suggest the landscape.

The card above was a “no card left behind” project as it didn’t go quite as planned. I decided to paint a watercolour moon inside a negative mask cut from frisket film. The aperture was wider than the moon you see above. After I had painted the moon in golden orange distress stains I dried it completely (or so I thought). I swapped the negative mask covering the moon for the circle mask which left the rest of the sky to be painted in darker tones. When I started painting the darker distress stains onto the paper the colours seeped in under the mask. They didn’t spread over the whole moon just around the edges. When I removed the mask it did not look like a realistic moon any more.  To save my scene I cut a smaller moon mask, stuck that over the watermarked moon then  sponged a darker sky around it to cover the seepage. I finished the scene by stamping the branches from “Nature’s Gifts” several times across the bottom and tying on a little tag.

Having learnt from experience I placed the mask on dry unpainted watercolour paper for the panel below. I painted the sky with distress stains and there was no seepage. (I will do more experimenting with the frisket film and let you know what I discover) When I removed the mask the moon was too white and flat so I painted and sponged some pale yellow and brown ink around it until it looked more realistic. I stamped the gorgeous etched branches across the base in black to complete my scene.

Both cards are around 5 inches square so I have been having fun with a friend’s envelope maker making custom envelopes out of pretty designer paper in my stash from long ago.

These cards make me think of one of my favourite songs, Helpless, by Neil Young. It’s the line, Yellow moon on the rise that keeps popping into my head. I have liked that song for many years. Little did I know as a teenager back in Australia I would one day live in Ontario (also mentioned in the song) and see Neil Young in concert twice. Do you ever get inspired by songs or performers?  I know Ardyth has a thing for David Bowie but I’m definitely more of a Neil Young girl!

Harvest Moon light Heather Telford

Supplies

Stamps: Natures Gifts, Etched BranchesSpecial Wishes (PB)
Inks: Ripe Persimmon, Spiced Marmalade, Mustard seed, Vintage Photo, Antique Linen distress stains &  Wild Honey, Spiced Marmalade, Vintage Photo, Black Soot distress inks(Ranger) 
Cardstock: Neenah Natural White 110lb, Fabriano 100% cotton hot pressed watercolour paper, rust cardstock


Square snowscape

Square snowscape Heather Telford

I don’t create many square cards but the symmetry can be very pleasing. I made this little snow scape on a scrap of cardstock which I had previously splattered with masking fluid. The panel was Neenah solar white cardstock not watercolour paper so I refrained from watercolouring and created my night sky and snowy hills and gullies by sponging instead.

I cut a post-it mask for the horizon and punched a little circle mask for the moon then sponged both summer sky and nautical blue memento inks across the sky. Before removing the horizon mask I stamped a row of trees on the left hand side. I cut and positioned a different mask, stamped a couple more trees and then sponged over the edge of the mask. For the last two trees I just used part of a mask to create a few dips in the snow.  (I have a tutorial here showing now I create snowscapes with sponging and masking fluid)

To finish I ran the nautical blue sponge around the edge to frame the panel, added some highlights to the edges of a few snow banks and trees with a clear wink of stella pen and stamped my sentiment in nautical blue. When the ink was dry I rubbed the masking fluid off to reveal little white snowflakes.

Thanks for your encouragement to keep on stamping with the Prancers set. You know I will!

Supplies:
Stamps:  Prancers, Joy Filled (PB)
Inks:  Memento Nautical Blue, Summer Sky (Imagine Craft/Tsukineko)
Cardstock: Neenah Solar White 110lb cardstock
Also: Winsor & Newton masking fluid, Clear wink of stella pen


Walking Home 2

Walking Home 2 Heather Telford

I have had some more fun with the “On the Town” set, this time with Memento inks and sponges instead of the watercolour approach I took in my last attempt. I did start with by flicking masking fluid onto my panel which is Neenah Solar White cardstock. I cut a hill mask and punched a small moon mask out of post-it notes and positioned them before sponging with two blue inks and a little yellow where the lamp would be. When the sponging was complete I stamped the trees along the hill then removed the mask. It is not very obvious but I sponged little bits of blue all over the snowy ground moving one wavy mask around to do so. I added the girls’ silhouettes next, then the seat, but before stamping the seat I positioned two small masks where the legs would be so they all appear to be in little snowdrifts. Next was the lamp and finally some shadows by turning the silhouette stamps upside down and stamping them in memento summer sky ink. When I rubbed the masking fluid off there were very few spots on the girls so I add a few here and there with white gesso and a toothpick.

I still haven’t used every stamp in this set so there may well be another ‘walking home’. On the town is a transparent set which made it easy to lay the scene out first to work out where all the pieces would fit.

Thanks for dropping by today. There will be more autumn tones later in the week.

Supplies:
Stamps:  On the Town (PB)
Inks:  Memento London Fog, Summer Sky, Bahama Blue, Dandelion ink & Versafine Onyx Black (Imagine Craft/Tsukineko)
Cardstock:  Neenah Solar White 110lb cardstock, Black cardstock
Also: Winsor & Newton masking fluid, Gesso


Most Wonderful

Moonlit Trees Heather Telford

I was very excited to see some new tree stamps in the new “Season’s Greetings” release from Penny Black. I am always happy to have more tree stamps to create stamped scenes with. I will be using the new trees from “Prancers” to create winter scenes but I will probably keep stamping with them all year long.  I used them as the main feature of the scene above and a shadowy suggestion of forest in the scene below.

Both scenes were done on watercolour paper but with different approaches and inks. For the scene above I started with a masking fluid flecked panel and positioned a circle mask for the sky. I then painted the sky in Memento Nautical Blue and Paris Dusk ink taking care to dilute the colour around the moon. I used the same two blues to paint the snow banks after I had stamped the trees in Memento Northern Pine.

On the card below I created a three coloured panel with Chipped Sapphire, Evergreen Bough and Tumbled Glass distress stains. I applied the stains to the watercolour paper then spritzed the panel with my homemade Pearl-ex sprays. When it was all dry I embossed the snowflake and sentiment stamps with Memento Luxe Wedding Dress ink and embossed with white powder. I added trees at the bottom with Chipped Sapphire distress ink and then splattered white gesso over the whole panel with a splatter brush. Both panels are framed by very narrow frames and attached to white card bases.

We had quite unseasonably cold weather yesterday, not quite the snowy scenes you see here but definitely chilly enough to sit by the fire in the cottage where I was visiting friends for the day.

 

Northern Lights Heather Telford

 

Supplies:
Stamps:  Most Wonderful, Prancers, Beauty of the Season (PB)
Inks: Chipped Sapphire, Evergreen Bough, Tumbled Glass distress stains (Ranger) Memento Nautical Blue, Paris Dusk, Northern Pink inks & Memento Luxe Wedding Dress ink (Imagine Craft/Tsukineko)
Cardstock: Fabriano 100% cotton hot pressed watercolour paper, Neenah Solar White 110lb cardstock
Also: Winsor & Newton masking fluid, White embossing powder, White Gesso, Three separated Pearl-ex sprays comprised of water mixed with Interference Gold, Interference Blue and Interference Green.


Winter forest watercolour

Winter forest watercolour Heather Telford

When I posted the watercolour butterfly tutorial I mentioned that I had divided my watercolour block into four panels, two of which worked out. One was the butterfly and the other was this little scene. I started with some masking fluid flecks then wet the top two thirds of the panel with water. I used the Christmas Park stamp from Penny Black and the techniques for creating snowbanks described in this tutorial.  Because I was layering the images I did use a post-it note a couple of times to mask the white snow areas from the bottom of the tree stamp.  It really was trial and error for this one but I am happy to say it worked in the end.

It will be winter here for quite some time yet so expect some wintry scenes interspersed with the floral cards now and then!

Supplies:
Stamps:  Christmas Park, A Day in Paris (PB)
Inks: Memento Olive Grove, Danube Blue, Espresso Truffle (Tsukineko)
Cardstock: CartieraMagnani 100% cotton hot pressed watercolour paper
Also: Winsor & Newton Masking Fluid


Winter Watercolour Tutorial

Winter Watercolour Heather Telford

Here is the first of my watercolour tutorials. I have used only one image stamp and one basic technique. There are several different techniques I use when creating watercolour scenes and cards because  different stamps lend themselves to different approaches. I plan to cover more techniques in future tutorials.

I stress in the video that watercolouring is never the same twice and you cannot predict how the colours will blend and bleed in each scene. It is worth playing around with for a while to work out the amount of water to add to the paper, how long to let it dry between stamping images and how much colour to add and blend when creating backgrounds.

Here is a list of other cards made using the technique shown in this tutorial. NoelWatercolour Night SkyWatercolour SnowstormPoppies in a FieldWatercolour Sympathy.

Thanks for dropping in.

Supplies:
Stamps:  Before the SnowFlourish Thank you (PB)
Inks: Memento Cottage Ivy, Danube Blue & Versafine Majestic Blue  (Tsukineko)
Cardstock: Fabriano 100% cotton hot pressed watercolour paper
Also: Winsor & Newton Masking Fluid


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