Spring Things

Sun fire Heather Telford

I pulled out one of last year’s floral stamps for this card and tried the co-ordinating die from this year’s release.  I painted a pale background first and let it dry before I did any stamping. I inked the stamp directly with distress stains, spritzed, stamped then blended with a waterbrush and a clear wink of stella pen. The petals were inked in seedless preserves and dusty concord so there would be some light and dark purple to blend. On the main panel I added a few wink of stella highlights once I had blended the petals but on the die cut lily I did all the blending with a clear wink of stella so it has a subtle shimmer when it catches the light. The dots on the petals and the filaments get a bit lost when inked with distress stain so I went over them with a marker once the petals were dry.

I completed the card by matting the main panel in green and popping up the die cut lily over the top. I added a simple sentiment but I am realising now that this would have made a nice easter card. I guess I can stamp an easter sentiment inside.

Sunfire detail Heather Telford

Believe it or not I still have a few snowy scene  card ideas bouncing around in my head. How about you – are you just stamping all things spring these days?

I’ve never entered Darnell’s cool NBUS challenge but I am eligible with my never before used ‘sun fire’ die so I will link up over there and at the Work it Wednesday Challenge on the Simon Says Stamp blog.

Supplies:

Stamps:  First DanceSnippets (PB)
Creative Dies: Sun fire (PB)
Inks: Dusty Concord, Seedless Preserves, Spiced Marmalade, Tumbled Glass, Ripe Persimmon, Forest Moss Distress Stains (Ranger)
Cardstock: Fabriano 100% cotton hot pressed watercolour paper, green cardstock, Neenah Natural white cardstock


Happy News

Happy News Heather Telford

Penny Black has a mini release out today and you can see projects featuring the new stamps and dies on the blog and facebook all this week. I have two cards for you featuring the rest of the faux marble watercoloured panel I made last week. It was inspired by Sandy Allnock’s video of her faux glass technique. I used a bird & branch die called ‘Happy News’ from the new release. Rather than use only the die-cut or the negative I wanted to use both so I didn’t lose any of the pretty patterned panel. To raise the bird and branch above the background I stacked six die-cuts out of navy cardstock then stuck the watercoloured die-cut on top. This panel has proved quite hard to photograph; I’m not sure why but it is hard to get the greens to look like they do in real life. I switched to a grey background which lessened the contrast but it still isn’t quite what I see. (blue, green, gold, white-who knows?) To make it easier to stack the die-cuts I stuck scrapbook adhesive sheets on the back of my cardstock before cutting. To finish I matted it on gold cardstock then on a deep blue panel.

Happy News detail Heather Telford

With my last little scrap of the faux marble watercoloured panel I created a CAS card on a kraft base which picked up the gold details. The ‘thank you’ die is another from the new PB release. I stuck the die-cut words inside the card.

Thank you on kraft Heather Telford

Thank you for all your kind words about my poppy series. Let me know if there is another PB stamp you would like me to play around with and I will see if inspiration strikes!

Supplies

Creative Dies: Happy News, Many Thanks (PB)
Cardstock: Fabriano 100% cotton hot pressed watercolour paper,  Neenah Natural White 110lb cardstock, gold , navy and kraft cardstock
Also:  Kuretake Gansai Tambi watercolour paints 38, 50, 55, 56, 62, 66, 91 and gold wink of stella brush


Orange Poppies

Orange poppies Heather Telford

As you can see I haven’t finished experimenting with the poppy stamp just yet. I have another one after this one too and I noticed as I finished off this one that the watercolouring has got progressively looser in each design. In the first one, Pink Poppies I worked slowly with a fairly small brush, the second, Red Poppies, my brush work was looser but still contained by embossed borders. In this one I stayed mostly inside the outlines but pulled and pushed the colour around quickly with broader strokes. My next version is even looser. I worked with distress stains for this design. I inked the stamp with spiced marmalade and ripe persimmon stains on the petals and peeled paint on the stems and seed pods. I restamped the image after spritzing it with water. I didn’t re-ink because there was still plenty of stain left on the stamp. Then I did the same again. You can see the image on the left hand side is paler as the stain was more diluted by the time I stamped that one.

The stain sits on the hotpressed watercolour paper for a little while without soaking in which makes it possible to pull the colour into the petals and ‘paint’ them using the stamped stain. I do add more stain where I want it a little darker or dilute it with water to make it lighter. I painted the seed pods in the same way but added some vintage photo stain. Some colour does run in a direction you don’t want from time to time but I like a little bit of that on a loose watercolour. I added the blue background after the poppies were totally dry working with a water laden brush first then dropping tumbled glass stain and painting that around all the flowers. I added some splatters once the blue was dry.

Although I was happy with the poppies over all, some of the stems and seedpods crossing over and overlapping with the lower poppies in the bottom right corner did get a bit messy. I didn’t want to crop them out completely and lose half my panel so I decided to add the sentiment over the top held in place with a pretty little die cut flourish. The flourish is attached using ‘stick it’ adhesive sheet and the sentiment oval  is popped up on dimensional squares. The nice thing about ‘stick it’ adhesive sheets is that you have a few moments to adjust the positioning before it sticks permanently so I was able to position the flourish then lift the little curls I wanted to sit on top of the popped up oval before pressing all the flourish firmly onto the panel. (Edited to add: I noticed the next day that I had called this post Orange Tulips! I’ve changed it to poppies)

DSC_7293 Orange poppies detail Heather Telford

Supplies: Stamps: Blooming Garden, Snippets (PB) Creative Dies: flourish (PB) Inks: Peeled Paint, Spiced Marmalade, Ripe Persimmon, Vintage Photo, Tumbled Glass distress stains (Ranger) Cardstock: Fabriano 100% cotton hot pressed watercolour paper,  Neenah Classic Crest Natural White 110lb smooth, blue and green cardstock Also:  Stick it adhesive sheets, scrapbook adhesive dimensional squares


Imagine

 

Imagine Heather Telford

I am enjoying my new watercolour paints and have watched some recent watercolour videos by the very talented Sandy Allnock. She has been playing around with the same paints (Kuretake Gansai Tambi) and posted a video last week where she created a faux glass panel inspired by vase she saw. I used some of the same techniques and made a faux marble panel. I painted blues, greens and purples on a piece of watercolour paper and let them blend. I dried them with a heat tool then added more layers leaving some pale and others dark and intense. When I was happy with the colours I painted some thin lines of gold onto the panel and blended them out on one side with a very wet paint brush. This gave me a soft edge and a hard edge I also splattered some gold paint over parts of the panel. The piece on the card above is less than half the watercoloured panel so I have some more to play around with another day.

For the sentiment I stacked four diecuts of the word ‘imagine’ each with ‘stick it’ adhesive on the back to make them easier to stick together. The gold cardstock I used was slightly duller than the gold paint so I brightened it up with my gold wink of stella pen. I did the same with the sides of the card base so it would all match. I am thinking it might make a good graduation card.

Imagine die detail Heather Telford

Supplies

Creative Dies: Envision (PB)
Cardstock: Fabriano 100% cotton hot pressed watercolour paper,  gold cardstock
Also:  Kuretake Gansai Tambi watercolour paints 38, 50, 55, 56, 62, 66, 91 and gold wink of stella brush


Flower Sparks

flower sparks Heather Telford

Today’s card features more watery blurred stamping, probably not the look we usually aim for when creating cards. I was having fun experimenting with some of the stamps I hadn’t used from the new “Bring on the Happy” release. These flowers are from the ‘Flower Sparks’ set which I had dipped into to make this card but had not used the other eight flower stamps.  I used markers to ink the stamps and stamped on watercolour paper. To make the colour flow around the panel I spritzed and tilted the paper. Once again I used black for my sentiment and also borders and two die cut flowers.

There is a new challenge on the One Layer Simplicity blog hosted this month by Susan. She is challenging us to use only our word stamps, no flowers, trees, background stamps are allowed, only words! I hope you get inspired.

Supplies:

Stamps:  Flower Sparks, Heartfelt (PB)
Creative Dies: Illuminate (PB)
Inks:  Memento Northern Pine, Bamboo Leaves, Danube Blue, Love letter, Tangelo, Dandelion, Nautical Blue, Grape Jelly markers & Versafine Onyx Black (ImagineCrafts/Tsukineko)
Cardstock: Neenah Natural White 110lb cardstock, Neenah Epic Black cardstock, Fabriano watercolour paper

 


Gentle Whisper

Imagine Heather Telford

If you have browsed through the new Penny Black release you would have scene some lovely Asian motifs in both the stamps and the dies. In this card I was trying to create an Asian themed card by using the ‘geometrics’ die and the gorgeous large orchid stamp, ‘gentle whisper’. I began by stamping a very subtle background pattern using Memento Desert Sand ink and the ‘Oh Spring’ brush stroke stamp from years ago. I then inked the orchid stamp with markers, spritzed it, stamped on the watercolour panel and then spritzed the panel. I blended the colour here and there with a brush, adding a little more in a few places. To create the gold details and mat I cut up a couple of envelopes that had shiny gold linings. I stuck scrapbook adhesive sheets to the back of the gold paper then die cut my word and circle motifs. With the adhesive already attached I was able to adhere them easily onto the watercolour panel. I cut a gold mat to completely cover the front of my card base then attached the panel.

The stamp is quite large so I think I made this card a bit bigger than my usual A2. I hope you have been checking out all the wonderful projects on the PB blog lately. The designers are still showcasing the many new products from the new release, ‘Bring on the Happy’. Last week there was all sorts of clever paper cutting and piecing from the incredible Peet Roven. This week it’s all about the new creative dies.

Supplies:

Stamps: Gentle Whisper, Oh Spring!(PB)
Creative Dies: Envision, Geometrics(PB)
Inks:Cantaloupe, Tangelo, Olive Grove, Bamboo Leaves, Desert Sand Memento inks and markers(Imagine Craft/Tsukineko)
Cardstock: Fabriano hotpressed 100% cotton watercolour paper, Shiny gold paper, Neenah Natural White cardstock

Also: Scrapbook Adhesive sheets


Watercoloured Sprigs

Watercolour Sprigs Heather Telford

I had a card idea in my head yesterday and I did several trials and variations with the stamps from the transparent set ‘Sprigs’ but my original idea did not end up working. I set the experiments aside and designed a totally different card. Today when I looked at yesterday’s experiment I came up with the card you see above. The problem with the panel before I die cut dragonflies and a sentiment out was that is did not really have a focal point. The colours were pretty and some of the watercolour effects were pretty (others were messy) but it all looked too similar. By cutting the dragonflies to reveal the blue cardstock behind, the focus is taken away from the watercolour panel and transferred to the bold images and letters. I could have just as easily popped dragonflies on top but I like the cut-away look. The features I liked in the original panel are no longer trying to be the stars, they work better as back up. Next time you cast aside a stamped panel because it’s not working the way you thought consider whether it just needs to be in the background and let another element take centre stage.

To create the panel I inked up three of the ‘sprigs’ stamps with a mix of blues and greens. I inked each stamp with one colour using a large stamp pad then added another colour with a marker. I spritzed each stamp, stamped them on watercolour paper then, when I had stamped all the images, spritzed the paper.

I can’t always turn my experiments into finished cards, often the watercolour panels just get turned over so I can use the other side. Sometimes I wonder if the recipients of my cards ever see the backs of some of my panels, hopefully the adhesive holds and the rejected side stays hidden!

Supplies:

Stamps: Sprigs (PB)
Creative Dies: Deco Frame, Flutters (PB)
Inks: Nautical Blue, Teal Zeal, Cottage Ivy, Bamboo Leaves Memento ink (Imagine Craft/Tsukineko)
Cardstock: Fabriano hot pressed watercolour paper, Blue cardstock


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