I did a little watercolour painting today with a stamped image as my starting point. The image was stamped on a piece of acetate so I could work out the positioning for another card panel I was creating. I decided to stamp the acetate onto a scrap of watercolour paper I had lying around. Can you guess which stamp I used from the new Penny Black “Winter Wonderland” release? My image is of course a mirror image as it was stamped from the acetate. It is also a patchy imprint because the ink beaded on the plastic and did not transfer a complete image onto the watercolour paper. I ended up using half the stamped image, masking off the side which is now blue.
Looking at the incomplete imprint I could see a tree with spreading roots so I started by painting the trunk, branches and roots. I used distress stains, keeping them intense in some areas and blending in other places with extra water. I decided to keep the card base tall and thin like the panel and was in two minds whether to add a sentiment or not. I ended up choosing a little sentiment which helped complete a visual triangle with the rest of the black stamping.
Stamps:Woodland Wonder, Joy Filled (PB)
Inks: Broken China, Vintage photo, Mustard seed, Spiced Marmalade, Bundled Sage, Peeled Paint distress stains (Ranger) & Memento Tuxedo Black ink (Tsukineko)
Cardstock: Fabriano 25% cotton hot pressed watercolour paper
This tall and narrow scene reminds me of a ski run, albeit a fairly narrow one! I created this on a scrap of watercolour paper already splattered with masking fluid. Once again I am not entirely sure of the inks I used but I will list what I think they were in the supply list below. I used a half inch punch to create a circle mask for the moon and masked the hills one by one as I went down the panel. After painting the sky in chipped sapphire and broken china distress stain I stamped dark blue trees onto the damp sky area to end up with very watery trees. I then moved my mask and stamped more trees then painted some diluted broken china stain around them to blur the images and extend the edge of the snow bank. I did the same for the last two tree sections. When I had finished the panel was very blue and did not have enough contrast or variety of colour so I added some brown ink to the trunks of the trees.
To finish I rubbed off the masking fluid, matted in Periwinkle mix&match cardstock and added the die cut sentiment. I think the sentiment is a bit too big for the narrow panel so I would use something smaller if I did a similar layout again.
Stamps: Prancers (PB)
Creative Dies: World of Wishes (PB)
Inks: Broken China, Chipped Sapphire distress stains & Chipped Sapphire, Vintage Photo distress ink (Ranger)
Cardstock: Periwinkle Mix & Match (PB), Neenah Avon Brilliant white 110lb cardstock, Fabriano 100% cotton hot pressed watercolour paper
Also: Grafix frisket film, Winsor & Newton masking fluid
I have been creating snowy scenes with dye inks on a large watercolour block this week. When I saw sketch#95 at CAS(E) this sketch and still had a corner left on the block already flecked with masking fluid I thought I could put the two together. Sometimes when I look at a sketch I can’t see past the shapes and images in the sketch, arrows for instance in the current sketch.
With this sketch I was able to see past the arrows and visualize a snowscape with a stand of trees on the right hand side. I did deviate from the sketch and add a few more trees on the left. Whether I play along or not I am always impressed by the imagination and creativity of the design team members in their interpretations of each week’s sketch.
To create the scene I punched a little circle mask for the moon and painted the sky in two blue distress stains. I added two dips with the same stains then stamped trees in memento ink. When all was dry I rubbed off the masking fluid. I hope you are not getting sick of these trees from the Prancers set, ‘cos I just can’t leave them alone!
Stamps: City Lights, Prancers (PB),
Inks: Tumbled Glass, Chipped Sapphire (Ranger) Memento Northern Pine (Imagine Crafts/Tsukineko)
Cardstock: Fabriano 100% & 25% cotton hot pressed watercolour paper
Also: Winsor & Newton masking fluid
All the new Penny Black Fall 2014 products have been revealed on the PB blog this week and are now available in the online store. I have another fall card today and the temperature outside has dropped dramatically enough to make me realize summer might just be almost over. (you can tell I am clinging to it can’t you?)
I used the set Golden Harvest to create the card above and arranged the three stamps a bit like a sampler of autumn produce. I stamped all three images in antique linen distress ink to give me an outline then with painted distress stains to add colour. I matted it with blue cardstock and cut three “gratefuls’ out of the same cardstock. I stuck two together then trimmed the top off the tall letters and added another full die cut of the word on top. This made it possible to glue the word down evenly over the edge of the matted panel. I know this one isn’t quite as CAS as I often do, but I think it might qualify for the “Three” challenge at CASology this week.
Stamps: Golden Harvest (PB)
Creative Die: Words of Gratitude (PB)
Inks: Mustard Seed, Barn Door, Spiced Marmalade, Peeled paint, Bundled Sage, Broken China, Dusty Concord distress stains & Antique Linen distress ink (Ranger)
Cardstock: Neenah Natural White 110lb, Fabriano 100% cotton hot pressed watercolour paper, yellow & blue textured cardstock
I was working with new leaf stamps from Penny Black today; they are from the Fall 2014 release being featured on the PB blog all week. The panel I was making was more vibrant and bold than the one above (you will see it on the blog next week) but the images on the scrap paper beside me were muted and watery like these. I was using distress stain and stamping several impressions without reinking because the pigment is strong and a little spritz of water makes it go further. Before changing colour I stamped off on the scrap paper to clean the stamp. I decided to recreate the pretty pale leaf images on a card instead of a scrap.
For each leaf I applied a little distress stain to one side of the leaf image, spritzed with water and stamped on watercolour paper. The stain and water blended but not evenly. I didn’t clean the stamp between colours; that’s why there is a bit of yellow in each leaf. The little specks of colour you see on the panel were splats made as I lifted the wet stamp from the paper. Basically this prettiness just happened; I had very little to do with it. I was so happy with the simplicity of the three leaves I didn’t even add a sentiment. If I want one I can add it inside.
Stamps: Lush & Lavish (PB)
Inks: Mustard Seed, Barn Door, Spiced Marmalade, Vintage Photo distress stains & Wild Honey(Ranger)
Cardstock: Neenah Natural White 110lb, Fabriano 100% cotton hot pressed watercolour paper, Fall Festival mix & match papers (PB)
Ardyth has a wonderful challenge happening on the One Layer Simplicity challenge blog this month. We have to use squares on our one layer cards. It can be one square or many squares; there are so many possibilities. I decided to mask and sponge my squares with a bit of a diagonal ombre thing happening. I taped around the edges of the large square with painters tape then cut two narrow strips and criss-crossed them in the middle. My sponging blends from yellow through orange to a burnt orange colour (listed below) and then I added a little pattern to each square by masking the other three squares and stamping. The patterns are from the transparent set, ‘Treemendous’ and they were perfect for this technique. I also used a sentiment from the same set which makes this a one layer, one stamp set and one colour scheme card, but that is not required for the challenge!
The challenge is to have fun with squares on a one layer card. Hope you’re inspired.
Stamps: Treemendous (PB)
Inks: Memento Dandelion, Tangelo, Cantaloupe, Morocco ink (Tsukineko)
Cardstock: Neenah Avon Brilliant White 110lb cardstock
I recently started using the phrase ‘no card left behind’ at my classes. I know sometimes a card needs to left behind; sometimes a fresh start is best. I’m not talking about those instances; I’m talking about the times when the card is basically working. The colours are pretty, the layout is balanced, the stamping is solid but then something goes wrong. It could be a crooked sentiment or maybe a smudge of ink, perhaps an incomplete imprint from the stamp. In these situations I have adopted the policy of “No Card Left Behind” and I like to make sure it happens in my classes. I like the participants to go home happy with the their cards. I know they might try it again and tweak things or they might decide the design is not for them and never try it again. Either way I like them to go home with the promised cards.
To this end I have a few emergency solutions up my sleeve. I’m sure you have them too. Some of my class participants joke about the butterfly fix: “I can always stamp a butterfly over that” It can work in some situations but not really on a snow scene! I have shared some of my fixes before and have decided to continue in the spirit of “No Card Left Behind” and share some more from time to time. I will try and remember to photograph the problem before I come up with the fix but sometimes I just forge ahead and its too late for ‘before and after photo shoots’.
I have two cards to share today; the second one is the NCLB. I started both with the tree image embossed on watercolour paper with silver powder. I added distress stains to the paper and blended them immediately with water and a paintbrush. For the card above I kept the colour contained in the tree area just letting it bleed out a little by spreading the stain and water with a brush. On the other panel I blended the colour all over the panel so the whole rectangular area was covered in shades of green. I then sprinkled salt on the wet paper and let it dry. The result was a pretty textured background but overall the design was lacking something. I set it aside and finished the above panel with some silver, blue, green and yellow splatter. I added a bit of definition around some of the swirls and the border with watercolour pencils.
Now how about the NCLB card? You can see I ended up punching out stars and arranging them as a tree but it took a bit of fiddling around before I settled on that design. I first punched squares from the watercoloured panel to see if I could come up with a three or four square CAS layout but that wasn’t coming together so I punched as many stars as possible out of the squares and remaining scraps and arranged them in a tree shape. I had a little star punch that framed the star at the top of the tree and cut a little trunk from a scrap. All the shapes are popped up with 3D foam squares from Scrapbook Adhesives on a white panel which is popped up with the thin 3D foam squares. I had a few narrow scraps left so I stamped a simple sentiment and attached it as a tab to the panel. Punches are a good option for saving a card that will no longer work as a whole panel. I often punch squares from a stamped design but circles or fancier shapes like flowers and stars are great to arrange into a new design.
Thanks for wading through this rather long description; have I inspired you to give the occasional mess up a second chance? Do you have strategies for saving your hard work after an annoying slip or smudge?
Stamps: Oh Christmas Tree , Winter Magic (PB)
Punches: large and small star
Inks: Versamark, Versafine Majestic Blue (Imagine Craft/Tsukineko), Distress stains Pine Needles, Evergreen Bough (Ranger)
Pencils: Albrecht Durer watercolour pencils Indianthrene Blue 247, Viridian 161, Lemon 107 (Faber Castell)
Cardstock: Fabriano 100% cotton hot pressed watercolour paper, Neenah Natural white 110lb cardstock, Neenah Solar white 110lb cardstock
Also: Silver Embossing Powder, Silver Wink of Stella Pen, Salt, 3D foam squares, thin 3D foam squares (Scrapbook Adhesives)