As you can see I haven’t put away the Filigree Foliage set. This time I didn’t paint out the filigree pattern as I have on previous cards; I kept it for a more decorative look. These colours reflect what is in my yard right now. There are plenty of yellow leaves floating down but the deep red ones are holding back.
I created this panel in layers starting by wetting the paper and stamping a few green leaves which then blended into the background laying down colour without leaving distinct shapes. When that had dried a little I stamped again in greens and mustard, spritzed some more water and also sprinkled some bister powder. Finally I stamped with water to create a few very pale impressions which picked up some of the bister lying around. I realise some of my stamped images are incomplete, some are distinct, others are blurred which is not everyone’s preference. I like to let the water and inks bleed and blend a little for some unique effects.
I’ll be back soon with some warm toned leaves. Thanks for dropping by.
Stamps: Filigree Foliage, Heartfelt (Penny Black)
Inks: Northern Pine, Peanut Brittle, Olive Grove memento inks (Tsukineko)
Cardstock:Fabriano hot pressed 100% cotton hot pressed watercolour paper
Also: Winsor & Newton masking fluid, green & yellow bister powder
Happy Thanksgiving to all the Canadians; chances are you are enjoying leaves in pretty colours like I am these days. I keep reaching for the filigree leaves set at the moment because it has six lovely leaves which can be stamped simply to feature the pretty filigree patterns or used as I have here to stamp an outline which can be painted for a more realistic leaf look.
My process for creating these three mini cards was as follows. I masked a square on cold pressed watercolour paper then inked the leaf stamps with two or three distress stains. I stamped then used a paintbrush to blend the colour and fill the leaf. Where necessary I added water but I worked quickly enough to mainly just move the stain. When the leaf dried I splattered some stain over the top and once that dried sponged a little ink around the perimeter to frame the leaf. (I did film myself on periscope using this technique and these stamps. Please be aware that the quality on periscope is not like youtube but you can get the idea of this process at the beginning of the broadcast)
Each card is 4″x4.5″ and the squares have 2 7/8″ sides and are popped up on fun foam.
I stamped the sentiment with versafine inks rather than distress because they do such a good job with fine lines.
I hope you are having a wonderful day; thanks for visiting.
Stamps: Filigree Foliage, Special Wishes (Penny Black)
Inks: Mustard Seed, Rusty Hinge, Gathered twigs, Aged Mahogany, Spiced Marmalade, Peeled Paint, Barn Door distress stains (Ranger) and Vintage Sepia, Crimson Red, Spanish Moss Versafine inks (Tsukineko)
Cardstock:Canson cold pressed 100% cotton hot pressed watercolour paper
It was my son’s birthday yesterday so I wanted to make a card he hadn’t seen rather than reach into the stash. Unfortunately I am dealing with a sore wrist/hand/thumb at present and of course holding pens, paintbrushes, scissors seems to be the worst thing for it. I needed a technique which didn’t require me to over use the right hand. Working with color burst powder was great because it creates its own magic with the help of some spritzed water. I should have stamped a single sentiment instead of stacking die cuts though.
I created the coloured panel one powder colour at a time by spritzing water, then dropping powder. I tried to take it slowly so I could see how much each colour was going to react before I added the next spritz or sprinkle. I love the way the larger drops of water have their own darker border and then there is a fine splatter of colour around them.
Creative dies: Oodles of love (Penny Black)
Inks: Color burst watercolour powders(Ken Oliver)
Cardstock: Canson hot pressed watercolour paper, Neenah epic black cardstock
Also: Stick it adhesive sheet (Ken Oliver)
The Penny Black designers are playing with tags again and have added them to cards this time. I chose the ‘brush pines’ stamp and some cold-pressed watercolour paper for my layered pinecones card. I stamped the pine cones several times so I would have extra images for the tags. I also stamped a few times without re-inking to create paler impressions. The ink was applied with Memento markers and blended with water to soften and spread the colours. I die cut the tags with the smaller die from the ‘tagged’ set popped them up over the stamped panel.
Stamps: Brush Pines, Believe (PB)
Dies: Tagged (PB)
Inks: Memento teal zeal, cottage ivy, rhubarb stalk, rich cocoa markers, versafine vintage sepia ink (Tsukineko), gathered twigs distress markers (Ranger)
Cardstock: Canson cold pressed watercolor paper
Also: green grosgrain ribbon
Although this card is very different to the forest card I last posted, the way it came about is similar. When planning class projects I cast aside a couple of panels of shimmery blue. I had brayered two colours of blue ink over the panels to begin then spread interference blue pearl-ex powder over the inking. I used a soft paintbrush to spread it out evenly and the finished effect was very shimmery when tilted in and out of the light. Sadly you can’t see just how shimmery here. I didn’t end up using the panels or technique in my class so I die-cut as many snowflakes as I could from the left over panels then cascaded them down a white card front and added a sentiment.
I completed this forest scene months ago but left it unposted. I showed it to a friend recently and she encouraged me to share it here. It is an example of a ‘no card left behind’ project. I was showing my friend how I did the lake on this card. It took us both a few attempts to get our backgrounds looking the way we wanted and the panel below was one of my cast-offs because of the water bloom under the shoreline trees. I pulled the panel out again at a later date and turned it on its side and made the shoreline trees one tall tree instead. I used both painting and stamping to fill the panel with trees. There was a bit of fiddling around with the tree stamp and the layers but I kept adding until it looked forest like! The little white flecks are of course, masking fluid.
So you see you should not throw things away immediately after you ‘mess them up’; set them aside perhaps and come back another day to take a second look. Flip it upside down or 90° just in case you have a lake you can turn into a forest!
Stamps: Nature’s Friend (PB)
Inks: Crushed Olive, Forest Moss, Dried Marigold, Broken China distress stains & Vintage Photo, Forest Moss distress ink (Ranger)
Cardstock: Brown cardstock, Fabriano 100% cotton hot pressed watercolour paper
Also: Winsor & Newton masking fluid
Kathy Racoosin of The Daily Marker is hosting a 30 Day Coloring Challenge during October. It is her third colouring challenge and her videos, blog posts and clever creations are very inspiring. I played along a few times during her last challenge and hope to participate even more this time. For all the details visit Kathy’s blog and check out her instagram also.
The colouring on my ‘fresh’ bouquet was done with Zig clean color real brush markers. I have 14 colours (so far), most of them quite bright so it was not difficult to get vivid petals by blending just the yellow, the pink and a little water. The background did involve fussy cutting a mask! Unlikely to happen often, I know. I stamped the background in versafine vintage sepia ink over the masked central image. Now that I think about it, several masks were needed so the background images did not stamp over the top of each other. This is why you don’t see this sort of thing very often on this blog. I do have a ‘too lazy to fussy cut and mask’ technique which often works well. I will share that some time soon.
Stamps: Fresh , Snippets (PB)
Inks: Versafine Vintage Sepia ink (Imagine Craft/Tsukineko)
Cardstock: Fabriano 100% cotton hot pressed watercolour paper, Neenah Natural White cardstock, Brown cardstock
Also: Zig clean color real brush markers, pink and orange thread