This week on the Penny Black blog the design team are sharing projects which display the versatility of the latest PB release, Time to Celebrate. Over the past few weeks we have shared Mother’s Day, Father’s Day and graduation cards but the stamps and dies can be used for so much more. I picked out the pretty flower stamp, Centerpiece to create a wedding card.
I stamped the floral part of the stamp twice, leaving the vase out altogether. I embossed the design in silver pearl powder which has a subtle sheen to it then watercoloured with festive berries distress stain on the petals and aged mahogany distress stain on the flower centers. The tiny leaves I coloured with a memento new sprout marker. Around the edge of the embossed flowers I painted tumbled glass distress stain, feathering it out to nothing with extra water. I chose to pick up the same blue in the card base and sentiment panel by using PB Clear Skies mix and match paper. It is not obvious in the photo but I coloured over all the flowers with a clear wink of stella marker which gave them all a soft sparkly shimmer. The delicate silver mat is actually fabric interfacing from France. A fellow card making friend brought it back and it was the perfect addition for a little silver accent on the wedding card.
I have just returned from a great weekend teaching at Bizzy B Stamp & Scrap in Toronto and will share some photos from the classes soon.
Stamps: Centerpiece, You and Me (PB)
Creative Dies: Frames (PB)
Inks: Versafine, Memento New Sprout marker (Tsukineko) Festive Berries, Aged Mahogany, Tumbled Glass distress stains (Ranger)
Cardstock: Fabriano 100% cotton hot pressed watercolour paper, Clear skies mix & match paper(PB)
Also: Silver & Silver pearl embossing powder
Last week I posted a card featuring negative painted leaves and mentioned a second card made at the same time. Both cards were inspired by gum leaves. This is the card I created using a negative mask cut from frisket film with the ‘happy news’ die. When I cut the bird and branch image out of the frisket film I used a piece that would cover most of my watercolour panel. I obviously didn’t think too much about where I was positioning it because I ended up with the bird balancing oddly on the diagonal branch. I think it would have been more natural if the branch was closer to horizontal but it still seems to work.
The frisket film works well masking watercolour paint but some does seep underneath. Fortunately on this panel the only seepage was around the leaves not the bird. I painted a layer at a time and let the colour dry in between to avoid getting the panel too wet. The paint is gansai tambi watercolour with some details done in watercolour pencils. I completed most of the painting before removing the mask. With the mask off I painted some extra leaves then worked with the green and blue seepage around the leaves to create the impression of more foliage in the background. Once the leaves were totally dry I scratched a spine into each leaf with a sharp knife.
At this point I wanted to create some contrast to make the bird pop a little more but I didn’t want to paint a fiddly background around all the edges. Instead I cut another ‘happy news’ mask from masking paper and positioned it directly over the painted bird (which was totally dry) I then sponged the golden colour using memento peanut brittle ink. Once I had good coverage I pressed a damp paper towel into the sponging to give it more of a watercoloured texture.
This is a technique I will play around with more because I have many dies and they make great outlines for watercolouring. Getting a negative and positive mask from each die cut means double the possibilities.
My dad celebrated his 80th birthday this week and hopefully this card has arrived in Australia and been opened by now. He and my mother check out the cards on my blog regularly and my dad drops hints from time to time that he would like to see some Australian scenes. I definitely had eucalyptus leaves in mind when I painted this scene but I can’t say that the bird resembles any particular Australian bird. (If the card hasn’t arrived yet Dad, you’re getting a sneak peak!)
Creative Dies: Happy News (PB)
Inks: Memento Peanut Brittle ink (Tsukineko)
Cardstock: Fabriano 100% cotton hot pressed watercolour paper, Neenah Natural White 110lb cardstock, teal cardstock
Also: Kuretake Gansai Tambi watercolour paints, grafix extra tack frisket film, Faber-Castell Albrecht Durer watercolour pencils
Not what you were expecting to find here on Bits & Pieces? This is my first art journal page; well to be totally honest my second journal page but the first one completed. I have had a few art journals sitting around for over a year waiting for time and inspiration. I started a page last year but it is still in process. The inspiration for this page came from the new Dirty Dozen gallery which opens on Splitcoaststampers today. I am now in my fourth month as a member of the Dirty Dozen and each month we have created projects around a theme. Each theme has been quite a challenge for me including this one. The new gallery theme is “Imagine That” and I was without inspiration until I thought about story books, fantasy and magical story books in particular. I ended up designing five out of my six projects based on some of my favourite books. To view the Dirty Dozen gallery you have to be a fan club member which is a great idea anyway because you will have access to all sorts of extra inspiration while supporting the wonderful creative world of Splitcoaststampers.
After creating a Narnia card for the gallery I decided to expand my design into an art journal spread. I don’t have a video or even a how to for this one although that is my plan for future pages. I followed the advice of the Vicky Papaioannou, who is a very talented art journaller and I glued two pages together to make them sturdier. It has made the pages somewhat bent but I think it prevented the watercolour from seeping through to the other side.
If you know the Chronicles of Narnia by C.S. Lewis you will recognise that this scene is from the early part of ‘The Lion, the Witch and the Wardrobe’. Lucy enters a magical world where it is ‘always winter but never Christmas’.
She meets Mr Tumnus who explains that she is in ‘the land of Narnia, all that lies between Lamp-post and the great castle of Cair Paravel on the eastern sea,’ the quote I chose for my page.
I enjoyed creating this page and may use books as inspiration for future pages. If you do check out the Dirty Dozen gallery this month you will see scenes from some other favourites of mine along with the products of the rest of the team’s creative imaginations.
I used distress stains and memento inks to create my scene over pages heavily splattered with masking fluid. You should recognise the tree stamps from the Prancers set and the lamp-post from On the Town but the mountains and handwriting are all mine.
Penny Black is playing along with the Curtain Call Inspiration Challenge today and the inspiration picture is a big bright bouquet of flowers.
I chose to highlight one of the flowers, a dahlia I think, and repeated it three times across my panel. I inked the flower from the transparent set ‘Efflorescence’ in barn door and ripe persimmon distress stain, spritzed it so the stains would blend then stamped it once on the panel. I did one at a time so I could do all the painting for each one while the stain was still wet. I used a waterbrush to pull colour from the outline in to fill the petals. If the stain dried before I could pull colour in I squeezed some out of the bottle and picked it up with the brush. After letting the first flower dry I did another and then a third. When all three were dry I added a fine splatter of barn door stain.
The background is coloured with Faber Castell polychromos pencils in two blues, I also added some extra definition here and there on the petals with red and orange pencils. The bottom edge of the panel, as well as the red, the blue mat and the card base, is die-cut by one of the stitched edges dies. For the sentiment I stamped only part of a stamp from the Sprinke & Smiles set so I could finish the phrase with words die cut in the same red as the mat.
Stamps: Efflorescence, Sprinkles and Smiles (PB)
Creative Dies: Stitched Edges, Splendid Wishes (PB)
Inks: Ripe Persimmon, Barn Door distress stains (Ranger), Versafine Onyx Black (Imagine Craft/Tsukineko)
Cardstock: Fabriano 100% cotton hot pressed watercolour paper, Red and Blue cardstock, Neenah Avon Brilliant White 110lb cardstock
The One Layer Simplicity challenge this month is “Blowin’ in the Wind”. Karen is challenging us to show wind on our cards. She suggests using a straw to blow paint dropped onto your paper, stamp an image that shows something blowing in the wind or maybe try splatters that go in one direction?
I tried a few of her suggestions on my card beginning with a image that blows in the wind and also invites us to blow it ourselves – the dandelion seed head. I stamped and embossed the dandelion and three seeds on watercolour paper then re-inked the stamp with iced spruce distress stain. I spritzed the stamp, then after stamping, spritzed the paper until the stain started to spread. I tilted the paper to make the colour move in one direction then stamped again in salty ocean distress stain and milled lavender. I spritzed and tilted and moved a bit of colour around with a brush until I was happy with the coverage. To finish I splattered a bit of blue and grey then added the sentiment in versafine Smokey Grey. It just so happens that the Less is More challenge this week happens to be Splatters on a one layer card. Yay, I’m in!
Even though I had taped down the watercolour paper it was still a bit warped once it dried. I decided to iron it which got the kinks out and also removed the embossing. Karen has been doing all sorts of fabulous backgrounds with Bister on her cards lately which has inspired me to create a similar watery splashed background. I don’t have any Bister but I am happy with the way the colours bled and spread on this piece.
Thanks, Karen for a great challenge and all the wonderful inspiration on your blog, Snippets.
Stamps: Heartfelt, Dandee (PB)
Inks: Salty Ocean, Iced Spruce, Milled Lavender Distress Stains (Ranger) Versamark, Versafine smokey grey (Tsukineko)
Cardstock: Fabriano 100% cotton hot pressed watercolour paper
Also: clear embossing powder
I’m playing with the whole “sailed off into the sunset and lived happily ever after” idea on this card. Of course it would have to be “flew off into the sunset” and although graduation is the end of one adventure it is usually the start of an even bigger one. Regardless I have a bird flying free over a watercoloured sky, painted of course with my new gansai tambi paints.
To create the watermarked look or ‘back runs’ I blended colours then let them dry a bit before adding more paint. I worked from blues to pink, red, orange then yellow in the bottom left hand corner. When it was all dry I stamped the two images and sentiment from the transparent ‘for the grad’ set.
There are celebratory cards on the PB blog all this week.
Stamps: For the grad (PB)
Inks: Versafine onyx black ink
Cardstock: Fabriano 100% cotton hot pressed watercolour paper, Neenah Epic Black 100lb cardstock
Also: Kuretake Gansai Tambi watercolour paints
I am enjoying my new watercolour paints and experimenting with different ways to use them. The panel above is part of a masking experiment. I used the ‘happy news’ die to cut a mask from frisket film. Frisket film is made of plastic so I ran the die back and forth through the machine a few times to make sure it cut well. I saved both the negative and the positive die cut image and worked on two panels at once so one could dry while I painted the other. For the one above I used just the positive leaf and branch portion of the die cut image.
I pressed the frisket film leaves firmly onto hotpressed watercolour paper and painted some greens and blues around the leaves. The shape of the leaves reminds me of gum leaves (eucalyptus leaves) so I stuck with the muted blues and greens I remember from the gum trees in Australia. Some paint did seep under the frisket film in places but I didn’t worry as I knew I was doing several layers anyway. When the first layer was dry I repositioned the mask and repeated the process. I think I repositioned the mask three times; I’m not sure. By the time I had painted several layers the first white masked leaves were almost completely covered in paint but the outlines were still distinct. I added some splatter, a sentiment then matted in a co-ordinating teal cardstock.
The other panel I was working on used the negative frisket film mask and will be on the blog next week. Thanks for dropping by.
Stamps: Snippets (PB)
Creative Dies: Happy News (PB)
Cardstock: Fabriano 100% cotton hot pressed watercolour paper, Neenah Avon Brilliant White 110lb cardstock, teal cardstock
Also: Kuretake Gansai Tambi watercolour paints, grafix extra tack frisket film